Character-writing: resources
Writing characters? E.M. Forster admitted that “We all like to pretend we don’t use real people, but one does actually. I used some of my family …”
Perhaps you can’t or won’t do that. As a writer, you will need different resources for bringing your characters to life.
You may have access to a group or category of people who encapsulate the characteristics you want for your character. But perhaps the stage is empty . . .
You want to give your character a convincing appearance and a convincing voice. It’s good if you can summon up a face and voice that is still in your head. But suppose that isn’t the case and you need to create one? You won’t want the fruit of someone else’s vision — i.e. you don’t want to copy a character from a film or tv script.
Feeling stuck? Try these resources:
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Documentary films. The British Film Institute site is not just for buying films you’ve missed seeing. Let’s say your character is a steelworker in 1948. You can see a 1948 close-up of steel production to get the manufacturing process vivid and exactly right, take in the working clothes worn at that time (including a man in a suit working with heavy machinery) and hear the tones and terminology of the narrator.
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Oral History interviews are a wonderful source of actual opinions and attitudes. You can hear audio clips of contemporary voices such as those being compiled by the BBC’s Listening Project, or past voices in archives such as those at East Midlands Oral History Archive, or in the US via the G. Robert Vincent Voice Library – a collection from 1888 of voices from all walks of life. http://vvl.lib.msu.edu.
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Online discussions. Say you have never been in your character’s situation. Find a blog on that subject, then wheel down to the comments: real people reacting to the situation. For instance, unemployment or being cheated by a friend. You’ll not have to guess how it feels. The comments following an advice column, even review sites include personal accounts with the tiny details that will make your paragraphs sing.
Always better to get it from the horse’s mouth.