Advice for writers typically suggests that a series works best for indies. Does it make sense for the first three in the series to form a trilogy? Not always… A trilogy suggests an entity like the three-movement sonata in music, or the triptych in art. The form must be complete,[…]
Read More »Period crime drama serial Dandelion Dead with Michael Kitchen and Sarah Miles was presented some while ago as a TV mini-series. I binge-watched one wet night. It held my attention until the end. And what an end! Its impact entirely depended on the strength of a minor character’s acting ability[…]
Read More »Do you often find yourself well into your plot before realising you haven’t written any character description for your own record? Planners may well have copious notes about each character’s life history, their personal habits, colouring, hair style and fashion sense. They may have a separate section detailing where each[…]
Read More »Could you put yourself in his shoes? I wrote about this short story in a previous post Unlikeable character – makes you read on. I’ve just updated the e-book and reminded myself (slight shock) that I’d written horror rather than just crime. Which writer was it who said we only[…]
Read More »Writers’ undercurrents: in the novel you’ve just read — or in your own writing? Sometimes it’s only after finishing a novel that you become aware of its undercurrent. For instance, in Dead Water (Simon Ings) the fast paced plot involves the protagonist in a deadly international chase after an evil[…]
Read More »This weekend, Jude Higgins pulled off a wonderful feat in initiating the first Flash Fiction Festival in Bath. Gaining support from the Arts Council Fund, she was able to attract some of the best flash practitioners to give readings and workshops to enthusiastic participants from five countries. Vanessa Gebbie, Kit[…]
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